
Richard was 1st Assistant Editor on Episodes 5 and 6, where his attention to detail and deep understanding of the editorial process were quickly recognised by the show's creative team. As a result of his standout work, he was invited to step up as Assembly Editor for Episode 8, editing the entire first cut of the episode and contributing directly to the narrative shaping and pacing of the final cut.
Dir: Guy Ritchie
Dir: Eran Creevy
Dir: David Caffrey
Producer: Hugh Warren
Post Sup: Rebecca Davies

Richard Honey began work on The Buccaneers (Apple TV+) as 1st Assistant Editor on Episodes 3 , 4 and 5, where his editorial skill and creative judgement quickly caught the attention of the show's executive team. Recognising his talent, he was invited to cut the Director’s Cuts of Episodes 2 and 6, stepping up as Additional Editor on the series. His work helped shape key moments in the season, contributing to the show's distinctive tone and pacing.
Dir: Susanna White
Dir: Charlotte Regan
Dir: Richard Senior
Producer: Joe Innes
Executive Producer: Beth Willis
Post Sup: Alecia Weaver

Richard Honey joined the third season of Pennyworth: The Origin of Batman’s Butler as 1st Assistant Editor on Episodes 5 and 6, where his technical expertise and creative instincts quickly stood out. His contributions led to him working across the entire series, ultimately becoming a 1st across the series. Collaborating closely with the editorial and directing teams,

Richard Honey served as Lead Assistant Editor on Our Universe, a landmark Netflix documentary series blending cutting-edge science with breathtaking natural history storytelling. Narrated by Morgan Freeman, the series explores the extraordinary connections between the cosmos and life on Earth.
As Lead Assistant Editor, Richard managed the editorial pipeline across the entire series—coordinating multi-layered post-production workflows, overseeing media management, and supporting the editorial team in delivering complex, visually ambitious episodes to the highest standard.

Richard Honey worked as an Assistant Editor across more than 80 episodes of EastEnders, gaining invaluable experience within the high-pressure environment of fast-paced, continuous drama. The role sharpened his technical precision, speed, and adaptability—developing a deep understanding of multi-camera workflows, tight turnarounds, and collaborative storytelling under broadcast deadlines. It also reinforced the importance of consistency, character continuity, and maintaining emotional pacing across long-running narratives.

I worked as an Assistant Editor on Pushers, the new Channel 4 sitcom written by Rosie Jones and Peter Fellows. Produced by Merman Television and 2LE Media, the show stars Rosie in her first ever sitcom and is set to air next month. Excited to be part of bringing this fresh comedy to life!

Richard Honey served as an Assistant Editor on The Wives, a brand-new drama series for Channel 5. Working closely with the editorial team, he supported the post-production process through final delivery—managing media and ensuring a smooth workflow across departments. His role was key in maintaining continuity and efficiency on a fast-turnaround primetime drama.







Richard was 1st Assistant Editor on Episodes 5 and 6, where his attention to detail and deep understanding of the editorial process were quickly recognised by the show's creative team. As a result of his standout work, he was invited to step up as Assembly Editor for Episode 8, editing the entire first cut of the episode and contributing directly to the narrative shaping and pacing of the final cut.
Dir: Guy Ritchie
Dir: Eran Creevy
Dir: David Caffrey
Producer: Hugh Warren
Post Sup: Rebecca Davies
Richard Honey began work on The Buccaneers (Apple TV+) as 1st Assistant Editor on Episodes 3 , 4 and 5, where his editorial skill and creative judgement quickly caught the attention of the show's executive team. Recognising his talent, he was invited to cut the Director’s Cuts of Episodes 2 and 6, stepping up as Additional Editor on the series. His work helped shape key moments in the season, contributing to the show's distinctive tone and pacing.
Dir: Susanna White
Dir: Charlotte Regan
Dir: Richard Senior
Producer: Joe Innes
Executive Producer: Beth Willis
Post Sup: Alecia Weaver
Richard Honey joined the third season of Pennyworth: The Origin of Batman’s Butler as 1st Assistant Editor on Episodes 5 and 6, where his technical expertise and creative instincts quickly stood out. His contributions led to him working across the entire series, ultimately becoming a 1st across the series. Collaborating closely with the editorial and directing teams,
Richard Honey served as Lead Assistant Editor on Our Universe, a landmark Netflix documentary series blending cutting-edge science with breathtaking natural history storytelling. Narrated by Morgan Freeman, the series explores the extraordinary connections between the cosmos and life on Earth.
As Lead Assistant Editor, Richard managed the editorial pipeline across the entire series—coordinating multi-layered post-production workflows, overseeing media management, and supporting the editorial team in delivering complex, visually ambitious episodes to the highest standard.
Richard Honey worked as an Assistant Editor across more than 80 episodes of EastEnders, gaining invaluable experience within the high-pressure environment of fast-paced, continuous drama. The role sharpened his technical precision, speed, and adaptability—developing a deep understanding of multi-camera workflows, tight turnarounds, and collaborative storytelling under broadcast deadlines. It also reinforced the importance of consistency, character continuity, and maintaining emotional pacing across long-running narratives.
I worked as an Assistant Editor on Pushers, the new Channel 4 sitcom written by Rosie Jones and Peter Fellows. Produced by Merman Television and 2LE Media, the show stars Rosie in her first ever sitcom and is set to air next month. Excited to be part of bringing this fresh comedy to life!
Richard Honey served as an Assistant Editor on The Wives, a brand-new drama series for Channel 5. Working closely with the editorial team, he supported the post-production process through final delivery—managing media and ensuring a smooth workflow across departments. His role was key in maintaining continuity and efficiency on a fast-turnaround primetime drama.